KYUNGHEE PYUN
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PUBLICATIONS

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Books
Articles

RECENT PUBLICATIONS:
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  • American Art from Asia: Artistic Praxis and Theoretical Divergence, co-edited by Michelle Lim and Kyunghee Pyun (New York and London: Routledge, 2022)
  • Interpreting Modernism in Korean Art: Fluidity and Fragmentation, co-edited by Kyunghee Pyun and Jung-Ah Woo (New York and London: Routledge, 2021)
  • “Transformation of Monastic Habits: Student Uniforms for Christian Schools in East Asia.” Journal of Religion and the Arts 24:5 [Special Issue: Faith/Fashion/Forward: Dress and the Sacred] (2020): 604–640. 
  • “Art Competitions in the Age of Postmodernism: From Immigrants to Transnational Artists.” Journal of Korean and Asian Arts 1 (2020): 1–28. 
  • “Debbie Han’s Graces: Hybridity and Universality.” Journal of the Korea Association for History of Modern Art 48 (2019): 25–57.
  • Fashion, Identity, Power in Modern Asia, co-edited by Kyunghee Pyun and Aida Yuen Wong (New York: Palgrave Macmillan, 2018)
  • “The Master of the Remède de Fortune and Parisian Manuscript Production circa 1350.” In An Illuminated Manuscript of the ‘Collected Works’ of Guillaume de Machaut (BnF, ms. fr. 1586): A Vocabulary for Exegesis, ed. Domenic Leo (Turnhout: Brepols, 2017), forthcoming.
  • “Jean Pucelle” with Anna Russakoff. In Allgemeines Künstlerlexikon (Encyclopedia of Artists of the World) (Berlin: Walter de Gruyter GmbH, forthcoming 2017-2018).
  • “Portraying Monks in Illuminated Service Books in the Fourteenth Century.” Journal of the Association of Western Art History, Vol. 45 no. 1 (2016): 149-184.
  • “A Journey through the Silk Road in a Cosmopolitan Classroom.” A chapter in Teaching Medieval and Early-Modern Cross-Cultural Encounters Across Disciplines and Eras edited by Lynn Shutters and Karina Attar (New York: Palgrave Macmillan, 2014), pp. 53-70
  • Co-Editor with Anna Russakoff, Jean Pucelle: Innovation and Collaboration in Manuscript Painting (Turnhout: Brepols, 2013)
  • “Pucellian Influence in Illuminated Liturgical Manuscripts around 1350.” In Jean Pucell: Innovation and Collaboration in Manuscript Painting, ed. Kyunghee Pyun and Anna Russakoff (Turnhout: Brepols, 2013), pp. 171-96.
  • “Introduction and Korean Artists in New York 1955-1989.” In Coloring Time: An Exhibition from the Archive of Korean-American Artists, Part One (1955-1989) edited by Kyunghee Pyun (New York: AHL Foundation, 2013), pp. 15-22; 39-62.
  • “Asian Art in the Eyes of American Collectors, 1880-1920: Antimodernism and Exotic Desire.” Journal of Contemporary Art Studies 15 no. 2 (2011): 245-278.
  • “End of Iconography? Introducing New Trends of Iconology in Medieval Studies.” Art History and Visual Culture 9 (2010): 222-271.
  • “Foundation Legends in the Illuminated Missal of Saint-Denis: Interplay of Liturgy, Hagiography, and Chronicle.” Viator 39 no. 2 (2008): 143-192.
  • “Great Expectations: The Legacy of Teaching at Two Art Schools in New York.” Sculpture Review vol. 4 no. 1 (Spring 2006), 8-15.
  • “Leo Bible and the Historiography of Byzantine Manuscript Illumination.” Art History and Visual Culture 2 (2003): 148-172.
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